We said that different peoples, away from each other in time and space, used to show similar symbols in their sacred manifestations.
For instance, circles, representing eternity, and squares or crosses, representing four as elements describing a certain principle related to the Divine, are found everywhere. Not only in images or buildings, but also in literature, such as this quotation from Al-Tirmidhi: “Those with the Prophet asked, ‘What are the gardens of Paradise?’ He answered, ‘Circles of people invoking,’” or this one from the Buddha: “Long is the circle of rebirths to a fool who does not know the true Law.”
In today’s Hungary a mollusk shell with a cross was carved about 100,000 years ago, before historic times. The figure does not only show a cross, but it also combines it with a circle.
The same combination appears in a bronze piece in Northern Afghanistan, dating from 4000 or 3500 years ago, or in a more Christian sarcophagus from the 5th century, in Ravenna.
The face in the sarcophagus also shows a square entering the combination. Meanwhile, the very Christian idea of the crucifixion is shown in a native image from 6000 years ago, in the Canyon State Park, in Texas, amazingly showing four fingers in each of his outstretched arms.
Since 630 AD, the Kaaba in Mecca shows his cubic shape (six square faces) as a tribute to God. The building however, is a pre-Islamic one, and it was deemed as a fair representation of the Divine by the Proophet himself.
Egypt, beyond its fame because of its pyramids and tombs, also shows a square containing an ankh in a ritual vessel from the 1st Dynasty (about 5000 years ago). Of course, this combination includes a square, a circle and a cross.
Around 1487, Leonardo da Vincì also depicted his famous Vitruvian Man within a circle and a square.
The final image, today, will be a Mayan monument, in Dzibilchatun, near Merida MX. This monument can produce this effect when the morning sun rises in both equinoxes, March 21st and September 21st, when its radiant circle crosses the square gate.
Perhaps, all this magic surrounding the square is depicted in Whitman’s words: “Chanting the square deific, out of the One advancing, out of the sides, Out of the old and now, out of the square entirely divine, Solid, four-sided, (all sides are needed), from this side Jehovah am I, Old Brahm I, and I Saturnius am...”
We will go on with these coincident shapes and quotes.
© 2009 Hugo Ferraguti
Showing posts with label spirituality. Show all posts
Showing posts with label spirituality. Show all posts
Friday, October 23, 2009
Sunday, August 23, 2009
ANCIENT AND CHRISTIAN SYMBOLS
The words “city” and “civilized,” both come from the Latin “civitas.” Hence, the word “civilized” would literally mean “living in a city.”
In common language we tend to oppose the word “civilized” to “savage.” This makes us develop a whole set of values where the ones not living in cities are finally compared to wandering animals (even with no spoken language), following only instinctive aims, such as providing food for themselves by tracing their hunt, as lions would.
Another common definition of a civilization is based upon the development of a written language. In this case, a considerable part of the ancient cultures cannot be included among the so called civilized ones, just because they lack a written language. Among them, we find the Peruvian Incas, for instance.
These pages try to show that civilized man (in a wider sense of having spiritual concerns) is much older than this.
The Tata carved shell (see article from August 16) shows that a concept of a cross was already developed by 100,000 BP (when even current Europeans had not arrived in Hungary).
Another surprising image comes from Texas. Before Christianity was born, about 4000 BP, someone inhabiting the current Canyon State Historical Park portrayed a sort of crucified man.
-->
It also reminds of the Egyptian shen symbol, representing the sun on the horizon, probably even older given the abundant motives showing the character among the hieroglyphs, or even reminding of the ankh, used by the Egyptians to represent the breath of life. This symbol is frequently found in hands of the different gods showing their power to give life.
-->The ankh (on the right, below), of course, seems to be the origin of the cross, as a Celtic cross from the 7th century reminds us.
-->
-->
--> -->
-->
-->
--> -->
In common language we tend to oppose the word “civilized” to “savage.” This makes us develop a whole set of values where the ones not living in cities are finally compared to wandering animals (even with no spoken language), following only instinctive aims, such as providing food for themselves by tracing their hunt, as lions would.
Another common definition of a civilization is based upon the development of a written language. In this case, a considerable part of the ancient cultures cannot be included among the so called civilized ones, just because they lack a written language. Among them, we find the Peruvian Incas, for instance.
These pages try to show that civilized man (in a wider sense of having spiritual concerns) is much older than this.
The Tata carved shell (see article from August 16) shows that a concept of a cross was already developed by 100,000 BP (when even current Europeans had not arrived in Hungary).
Another surprising image comes from Texas. Before Christianity was born, about 4000 BP, someone inhabiting the current Canyon State Historical Park portrayed a sort of crucified man.
-->
--> -->
Regarding the cross, it can also be said that the Egyptians might also be related to the Christian use of this symbol. We can see how Shu holds Geb, the starry sky, by raising his arms, supported by the four hands of his helping gods.
Curiously enough, the Bible also values this help in holding the hands up: “And it came to pass, when Moses held up his hand, that Israel prevailed: and when he let down his hand, Amalek prevailed. But Moses hands were heavy; and they took a stone, and put it under him, and he sat thereon; and Aaron and Hur stayed up his hands, the one on the one side, and the other on the other side; and his hands were steady until the going down of the sun.” (Exodus 17:11-12)
Thus, the scene in the cross could also be seen as a Christian depiction of the Egyptian image of Shu, as seen in Giotto’s Crucifixion, from about 1400. As Gurdjieff said, “Egypt was Christian in its teachings, principles and ideas, many thousands of years before the actual birth of Christ.”
© 2009 Hugo Ferraguti
Labels:
civilizations,
fourth way,
spirituality
Subscribe to:
Posts (Atom)














